Mystery Train (film) - Wikipedia. Mystery Train is a 1. Jim Jarmusch and set in Memphis, Tennessee. The film is a triptych of stories involving foreign protagonists unfolding over the course of the same night. Far From Yokohama" features a Japanese couple (Youki Kudoh and Masatoshi Nagase) on a blues pilgrimage, "A Ghost" focuses on an Italian widow (Nicoletta Braschi) stranded in the city overnight, and "Lost in Space" follows the misadventures of a newly single and unemployed Englishman (Joe Strummer) and his companions (Rick Aviles and Steve Buscemi). They are linked by a run- down flophouse overseen by a night clerk (Screamin' Jay Hawkins) and his disheveled bellboy (Cinqué Lee), a scene featuring Elvis Presley's "Blue Moon",[3] and a gunshot.

On June 30, 1951, Alfred Hitchcock unveiled the suspense thriller Strangers on a Train in theaters. The Hollywood Reporter's original review is below.

The starting point for the script was the ensemble cast of friends and previous collaborators Jarmusch had conceived characters for, while the tripartite formal structure of the film was inspired by his study of literary forms. Cinematographer Robby Müller and musician John Lurie were among the many contributors who had been involved in earlier Jarmusch projects and returned to work on the film. Mystery Train's US$2. Japanese conglomerate JVC) was considerable compared to what the director had enjoyed before, and allowed him the freedom to rehearse many unscripted background scenes. It was the first of Jarmusch's feature films to depart from his trademark black- and- white photography, though the use of color was tightly controlled to conform with the director's intuitive sense of the film's aesthetic. Mystery Train was released theatrically by Orion Classics under a restricted rating in the United States, where it grossed over $1.

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It enjoyed critical acclaim on the film festival circuit, and like the director's earlier films premiered at the New York Film Festival and was shown in competition at Cannes, where Jarmusch was awarded the Best Artistic Achievement Award. The film was also shown in the Edinburgh, London, Midnight Sun, Telluride, and Toronto film festivals, and was nominated in six categories at the Independent Spirit Awards. Critical reaction was overwhelmingly positive, with reviewers praising the structure, humor, and characters of the film, though there was criticism that the director had not been sufficiently adventurous. The film consists of three stories that take place on the same night in downtown Memphis. The three stories are linked together by the Arcade Hotel, a run- down flophouse presided over by the night clerk (Screamin' Jay Hawkins) and bellboy (Cinqué Lee), where the principal characters in each story spend a part of the night. Every room in the hotel is adorned with a portrait of Elvis Presley. The first story, "Far From Yokohama", features Mitsuko (Youki Kudoh) and Jun (Masatoshi Nagase), a teenage couple from Yokohama making a pilgrimage to Memphis during a trip across America.

Mitsuko is obsessed with Elvis to the point where she believes that there is a mystical connection between Elvis, Madonna and the Statue of Liberty. The film follows the couple as they travel from the train station, through downtown Memphis and an exhausting tour of Sun Records, to the Arcade hotel. The second story, "A Ghost", is about an Italian widow, Luisa (Nicoletta Braschi), who is stranded in Memphis while escorting her husband's coffin back to Italy. Luisa, who has been conned twice and stuck with armfuls of magazines, is forced to share a room at the hotel with Dee Dee (Elizabeth Bracco), a young woman who has just left her boyfriend (Johnny from the final story) and who plans to leave the city in the morning. Luisa is kept awake by Dee Dee's constant talking, and when the young woman finally does go to sleep, she is visited by an apparition of Memphis' most famous icon – Elvis Presley.

The final story, "Lost in Space", introduces Johnny (Joe Strummer). Upset after losing his job and his girlfriend (Dee Dee), Johnny – known, much to his chagrin, as Elvis – drunkenly brandishes a gun in a bar before leaving with his friend Will Robinson (Rick Aviles) and his ex- girlfriend's brother Charlie (Steve Buscemi), who believes Johnny to be his brother- in- law. They stop at a liquor store, which Johnny robs using the gun and severely wounds the owner in the process. Fearing the consequences of the incident, Johnny, Will and Charlie retire to the hotel to hide out for the night; there, Johnny gets drunker. Charlie realizes that Will shares the same name as the character Will Robinson from the television show Lost in Space, which Johnny has never heard of.

LATEST HEADLINES. Warner Bros., Brett Ratner Sever Ties Amid Harassment Claims 3 hours ago; Beyonce Officially Joins Disney’s ‘The Lion King’ Movie As It Sets Cast. Patrick Wilson plays an aspiring mystery writer a bit too fascinated by the murder of Eddie Marsan's wife. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel of the same name by. The "exchange murders" plot gambit, played with utter solemnity in Hitchcock's Strangers on a Train, is used as the launching pad for raucous laughter in Throw Momma.

Charlie and Johnny proceed to tell him about the show, and Will comments that that is how he feels then with Charlie and Johnny: lost in space. The next morning, Charlie discovers that Johnny isn't really his brother- in- law, which angers him because of what they've been through. Johnny attempts to shoot himself, and while struggling to prevent him, Charlie is shot in the leg. Leaving the hotel, the three rush to escape a police car that isn't even looking for them. The closing credits show the train, the airport and the final views of the characters from the first two stories.

Production[edit]Script and casting[edit]Jarmusch wrote the script for the film under the working title "One Night in Memphis",[4] without ever having been to the southern city.[5] The idea for "Far From Yokohama", the first segment, he took from a one- act play he had been writing before filming Down by Law (1. The play – unrelated to Elvis or Memphis – concerned a constantly argumentative young couple, one of whom gradually comes to realize that their fighting is a unifying force in the relationship.[6][7] The interconnected stories were inspired by Jarmusch's dwelling on literary forms, and specifically the work of Chaucer,[8] Italian episodic films and Japanese ghost story cinema.[9][1. As with his other films, Jarmusch's starting point for writing Mystery Train was the actors and characters he had foremost in mind. The great number of these collaborators contributed to it being "the most complicated film to write and execute" according to the director.[1.

Strangers on a Train (film)Strangers on a Train is a 1. American psychological thrillerfilm noir produced and directed by Alfred Hitchcock, and based on the 1.

Patricia Highsmith. It was shot in the autumn of 1. Warner Bros. on June 3. The film stars Farley Granger, Ruth Roman and Robert Walker, and features Leo G.

Carroll, the director's daughter Pat Hitchcock and Laura Elliott. The film is number 3. AFI's 1. 00 Years.. Thrills. The story concerns two strangers who meet on a train, a young tennis player and a charming psychopath. The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught.

The psychopath commits the first murder; and then tries to force the tennis player to complete the bargain. Amateur tennis star Guy Haines (Farley Granger) wants to divorce his vulgar and promiscuous wife Miriam (Laura Elliott), so he can marry the elegant Anne Morton (Ruth Roman), the daughter of a senator, and hopefully have a career in politics. On a train, Haines accidentally meets Bruno Antony (Robert Walker), who recognizes Guy from the sports pages and knows about his situation from the gossip pages.

Bruno tells Guy about his idea for the perfect murder scheme: the two should "swap murders". Bruno will kill Miriam, and, in exchange, Guy will kill Bruno's hated father. Each murderer will kill a perfect stranger, having no identifiable motive, so neither will be suspected. Guy does not take Bruno's suggestion seriously; he humors Bruno by pretending to find it amusing, but Bruno interprets Guy's response as agreement to the scheme.

Guy lets Bruno light a cigarette with his (Guy's) monogrammed cigarette lighter; instead of returning it, Bruno puts it in his own pocket. Guy meets with Miriam, who is pregnant by someone else. She tells him that she is no longer willing to agree to a divorce. She threatens to follow Guy to Washington, D. C. and cause a scandal. Guy calls Anne with the bad news and, speaking figuratively, tells her he would like to "break [Miriam's] neck"..

Meanwhile, Bruno follows Miriam and her two beaux to an amusement park, stalks her through various rides, and strangles her to death on the "Magic Isle". Later, Bruno tells Guy that Miriam is dead and that Guy must honor his part of the deal and kill Bruno's father. Bruno sends Guy his house key, a map to his father's room, and a pistol. Senator Morton, Anne's father, (Leo G. Carroll) informs Guy that his wife has been murdered. The police question Guy; his alibi, that he was on a train with another passenger at the time of the murder, fails because the police examine the train schedule and determine that he could have left the train in time to commit the murder, and then completed his trip on another train.

The police do not arrest Guy, but assign a police escort to ensure he does not flee while they continue to investigate. To pressure Guy into fulfilling his obligation, Bruno introduces himself to Anne. Soon after, Bruno appears at a party at Senator Morton's house. To amuse another guest (Norma Varden), Bruno demonstrates how to strangle someone by playfully putting his hands around her neck. His gaze falls upon Anne's sister Barbara (Patricia Hitchcock), who physically resembles Miriam. Her resemblance to Miriam triggers a flashback.

Staring at Barbara, he begins actually strangling the guest, and then blacks out. Barbara tells Anne: "His hands were on her throat, but he was strangling me." Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's crazy scheme. Guy pretends to agree to Bruno's original plan. He creeps into Bruno's father's room hoping to warn him of his son's murderous intentions, but the father is away, and Bruno is waiting for Guy there. Guy tries, unsuccessfully, to persuade Bruno to seek psychiatric help. Bruno responds by threatening to punish Guy for betraying him.

He menacingly reminds Guy that he, Bruno, is "a very clever fellow". Anne visits Bruno's house and attempts to explain to his befuddled mother (Marion Lorne) that her son is responsible for a murder, but the demented woman does not believe her. Watch Baggage Claim Online Fandango. Bruno tells Anne that he has Guy's cigarette lighter and intends to incriminate Guy by planting it at the amusement park.

Anne and Guy devise a plan for Guy to finish his tennis match quickly, evade his police escort, and reach the amusement park first and prevent Bruno from planting the lighter. Guy eventually wins the long match at Forest Hills, then, eluding the police, heads for the amusement park. Bruno is also delayed when he accidentally drops Guy's lighter down a storm drain and has to recover it. Guy arrives at the amusement park. Bruno stays out of sight until sunset when he can plant the lighter on the "Magic Isle".

A worker recognizes him from the night of the murder and informs the police. Guy catches up to Bruno, and they fight on the park's carousel. Thinking Guy is trying to escape, a police officer shoots at him, but his shot misses and kills the carousel operator instead. The dead man falls onto the carousel's control panel and the carousel spins wildly out of control and crashes. Bruno is mortally injured.

The worker who recognized Bruno tells the police chief that Guy is innocent. Guy tells the police that Bruno was attempting to plant Guy's lighter at the murder scene.

Bruno lies to the police, but, as he dies, his fingers open to reveal Guy's lighter in his hand. U. S. version[edit]In the American version of the movie, a final scene shows Guy reunited with Anne on a train home. A minister, who is also a tennis fan, recognizes Guy and attempts to strike up a conversation, but Guy, hardened by his traumatic experience, turns away coldly and leaves with Anne, without replying to the eager fan. Perhaps his best- known cameo, where Hitchcock boards the train while Haines gets off, at the beginning of the film. Alfred Hitchcock's cameo appearance in this movie occurs 1. He is seen carrying a double bass as he climbs onto a train.

Young Louis Lettieri,[2] a child actor during the 1. Bruno in the amusement park murder scene. Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out.[3] Hitchcock said that he originally wanted William Holden for the Guy Haines role,[4][5] but Holden declined.